| Lisa Nathans | Freeing the Female Voice – Part 2 involving Global Classrooms |
| Gianina Lockley, Warona Seane, James Harding, and Mark Fleishman | From the Margins: Centering the Voices of African American and African Women Post-Civil Rights and Apartheid* |
| Scot Reese | International Collaborative & Creative Liaisons in Scotland & Ireland |
| Lisa Nathans | Formalizing Undergraduate Performance Study Abroad Opportunities- London, England |
| Q-Mars Haeri, Kelley Holley | Rebels and Revels: An Exhibit and Symposium on the Theatre of the Middle East* |
| Franklin J. Hildy | Scholarly paper presentation-International Federation for Theatre Research, Digital Humanities in Theatre Research Working Group, Galway, Ireland. July 13-17, 2020* |
| Rebecca Hill | Paraná to Appalachia |
| Tara Demmy | Comedic Historiography: Improvisation in Balinese Performance* |
| James Harding | Artistic Expression Beneath a Blue Shadow: Violence and the Policed Environment* |
| Lisa Nathans | International Workshop Presentation/Summer Faculty Symposium Attendance* |
| Scot Reese | The Roots of Indigenous, Black, and LGBTQ+ Theatre and Performance* |
| Victoria Scrimer | Panel Presentation at IFTR: “Hostile Environments”* |
| Fraser Stevens | Suspicion, Deception, and Environments of Espionage* |
| Jared Strange | Messi Comes Home?: Cirque du Soleil’s Messi10 in Buenos Aires* |